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Tamil cinema - Wikipedia, the free encyclopedia. Tamil cinema is the Tamil languagefilm industry based in the Indian state of Tamil Nadu, and is a part of the cinema of India. Nataraja Mudaliar in 1. Tamil cinema later had a profound effect on other filmmaking industries of India, establishing Chennai as a secondary hub for Hindi cinema, the other regional film industries in South India, as well as Sri Lankan cinema.
Single screen theatres may charge a maximum of . The films all featured non- fictional subjects; they were mostly photographed records of day- to- day events. The film scholar Stephen Hughs points out that within a few years there were regular ticketed shows in a hall in Pophams Broadway, started by one Mrs. Klug, but this lasted only for a few months. Once it was demonstrated as a commercial proposition, a Western entrepreneur, Warwick Major, built the first cinema theatre, the Electric Theatre, which still stands.
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It was a favourite haunt of the British community in Madras. The theatre was shut down after a few years. This building is now part of a post office complex on Anna Salai (Mount Road). The Lyric Theatre was also built in the Mount Road area. This venue boasted a variety of events, including plays in English, Western classical music concerts, and ballroom dances. Silent films were also screened as an additional attraction.
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He showed short movies in a tent in Esplanade, near the present Parry's Corner, using carbide jet- burners for projection. He bought the film projector and silent films from the Frenchman Du Pont and set up a business as film exhibitor. This helped new cinema houses to sprout across the presidency. Its major attraction was the screening of short films accompanied by sound. A British company imported a Crone megaphone, made up of a film projector to which a gramophone with a disc containing prerecorded sound was linked, and both were run in unison, producing picture and sound simultaneously. However, there was no synched dialogue. Raghupathy Venkiah Naidu, a successful photographer, took over the equipment after the exhibition and set up a tent cinema near the Madras High Court.
When this proved successful, he screened the films in a tent set up in Esplanade. These tent events were the true precursors of the cinema shows. Venkiah traveled with this unit to Burma (now Myanmar) and Sri Lanka, and when he had gathered enough money, he put up a permanent cinema house in Madras. He soon added two more, Crown Theatre in Mint and Globe (later called Roxy) in Purasawalkam. Swamikannu Vincent, who had built the first cinema of South India in Coimbatore, introduced the concept of . The first of its kind was established in Madras, called .
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This was due to the fact that electric carbons were used for motion picture projectors. In 1. 90. 9, an Englishman, T. Huffton, founded Peninsular Film Services in Madras and produced some short films for local audiences. But soon, hour- long films, which narrated dramatic stories, then known as . From 1. 91. 2 onwards, feature films made in Bombay (now Mumbai) were also screened in Madras. The era of short films had ended.
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The arrival of drama films firmly established cinema as a popular entertainment form. More cinema houses came up in the city. Fascinated by this new entertainment form, an automobile dealer in the Thousand Lights area of Madras, R.
Nataraja Mudaliyar, decided to venture into film production. After a few years in film distribution, he set up a production company in Madras, the General Pictures Corporation, popularly known as GPC.
Beginning with The Faithful Wife/Dharmapathini (1. GPC made about 2. GPC functioned as a film school and its alumni included names such as Sundara Rao Nadkarni and Jiten Banerji. The studio of GPC was housed in the Chellapalli bungalow on Thiruvottiyur High Road in Madras. This company, which produced the most number of Tamil silent films, had branches in Colombo, Rangoon and Singapore.
The Ways of Vishnu/Vishnu Leela, which R. Prakasa made in 1. Madras. Unfortunately, the silent era of south Indian cinema has not been documented well. When the talkies appeared, film producers had to travel to Bombay or Calcutta to make films.
Most films of this early period were celluloid versions of well- known stage plays. Company dramas were popular among the Madras audience. The legendary Otraivadai drama theatre had been built in 1. Mint. Many drama halls had come up in the city where short silent films were screened in the afternoon and plays were enacted in the night. The scene changed in 1. Madras got its first sound studio.
By this time, all the cinema houses in Madras had been wired for sound. Narayanan, who had been active during the silent era, founded Srinivasa Cinetone in which his wife worked as the sound recordist. Srinivasa Kalyanam (1. Narayanan, was the first sound film (talkie) produced in Madras.
The second sound studio to come up in Madras was Vel Pictures, started by M. Rajan on Eldams Road in the Dunmore bungalow, which belonged to the Raja of Pithapuram. Before long, more sound studios came up. Thirty- six talkies were made in Madras in 1. Influences. The Tamil language was the medium in which many plays and stories were written since the ages as early as the Cholas. They were highly stylised and nature of the spectacle was one which could attract the people.
Along with this, music and dance were one of the main entertainment sources. Usually the kings sitting in the court were seen admiring dancers, and enjoying the music and dance along with the courtiers. Themes of this kind were commonly found in films.
The theory of rasa dating back to ancient Sanskrit drama is believed to be one of the most fundamental features that differentiate Indian cinema. The ancient Indian epics of Mahabharata and Ramayana which have exerted a profound influence on the thought and imagination of popular Indian cinema, particularly in its narratives.
Examples of this influence include the techniques of a side story, back- story and story within a story. Indian popular films often have plots which branch off into sub- plots which were common in the early Tamil cinema. Whereas Hollywood filmmakers strove to conceal the constructed nature of their work so that the realistic narrative was wholly dominant, Indian filmmakers made no attempt to conceal the fact that what was shown on the screen was a creation, an illusion, a fiction. However, they demonstrated how this creation intersected with people's day- to- day lives in complex ways.
He called it the India Film Company. Rangavadivelu, an actor from Suguna Vilasa Sabha, a theatre company then, was hired to train the actors.
Thirty- five days later, the first feature film made in south India, The Extermination of Keechakan/Keechakavatham, based on an episode from the Mahabharata, was released produced and directed by R. Nataraja, who established the India Film Company Limited (The Destruction of Keechaka). Yes, Keechakavatham was the first Tamil film.
The characters spoke Tamil. However, sound in film had not been invented yet, so what they spoke was written in cards that appeared on the screen between shots, and they were called . Though Nataraja Mudaliyar was the first in south India to found a studio, it was Venkiah. Narayanan who put the cinema industry on a firm footing. After a stint of training in England in film- making, Prakasa came to Madras and set up the Star of the East Film Company. The studio, located behind Roxy Theatre, was modern by the prevailing standards.
Beginning with Bhishma. Though the company lasted only for four years, it played a crucial role in the growth of cinema in this part of the country. Many pioneers of south Indian cinema such as Y. V. Rao (father of actor Lakshmi) and C. Pullaiya were trained here.
Padmanabhan, started his own film unit, Associate Films, and made a few films. The studio was in the site now occupied by Paragon Talkies in Madras. Subrahmanyam imbibed the basics of film- making. For nearly a quarter of a century of silent era in the studios founded in Madras and other cities, more than 1.
Later, some films featuring M. Thyagaraja Bhagavathar were shot in those cities as well. In 1. 93. 5, A Ramaiah from Thanjavur established the first studio, Star Combines, in Kodambakkam. K. Subrahmanyam, a lawyer by profession, decided to go into movie- making and founded the Motion Pictures Producer Combines studio in 1. But the studio was gutted in a fire accident, widely believed to be arson by business rivals. The property came up for auction through a court order.
Subrahmanyam persuaded his friend Vasan to bid for it and enter film production. Vasan, though hesitant in the beginning, was there on the due date to bid and Gemini Studios came into being.
Gemini Studios became a landmark of Madras. National and international leaders dropped in at the studios and spent time with Vasan. Jawaharlal Nehru once visited the studio and watched the shooting that was on.
In December 1. 95. Chinese Premier Zhou Enlai spent a few hours in Gemini Studios.
With Chandraleka (1. Gemini extended its operation to the Hindi film world as well. But with the arrival of independent film- makers, studios had to close down in the 1. Among the big studios, AVM has outlived many other studios, producing memorable films. The film My Magic directed by Singaporean.
Eric Khoo became Singapore's first film to be nominated for the Palme d'Or at Cannes. Some of these films have involved one or more film personalities from the Chennai industry as well. By the mid- 1. 94. Chennai became the hub of studio activity with two more film studios built in Chennai, Vijaya Vauhini Studios and Gemini Studios.
Later, AVM Studios shifted its operations to Chennai. Thus, with the undivided Madras Presidency being the Capital to most of South India, Chennai became the center for Tamil- and Telugu- language films. Also, most of the pre- independence era drama and stage actors joined the film industry from the 1. Chennai became the hub for South Indian.